In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake." Activating multiple registers of "wake"—the path behind a ship, keeping watch with the dead, coming to consciousness—Sharpe illustrates how Black lives are swept up and animated by...(展开全部)

In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake." Activating multiple registers of "wake"—the path behind a ship, keeping watch with the dead, coming to consciousness—Sharpe illustrates how Black lives are swept up and animated by...(展开全部)

When Arvid Jansen comes-to one morning in the doorway of a bookstore in Oslo, Norway, his grief comes back to him in devastating flashes: His parents and his brothers are dead, he has lost touch with his wife and daughters, abandoned his career as a writer and bookseller. His old life is gone. "In the Wake" is the story of Arvid's first steps toward resuming that life, of his g...(展开全部)

Arvid has lost his parents and his two younger brothers in a ferry accident. Only he and his brother are left alive. The novel he is writing about his father is stalled, the grief and guilt he feels at having survived are too overwhelming. It is as though Arvid has become dislocated from the flow of life. His only human contact is with his Kurdish neighbour, and a woman whom he...(展开全部)

On Time and Being charts the so-called "turn" in Martin Heidegger's philosophy away from his earlier metaphysics in Being and Time to his later thoughts after "the end of philosophy." The title lecture, "Time and Being," shows how Heidegger reconceived both "Being" and "time," introducing the new concept of "the event of Appropriation" to help give his metaphysical ideas nonmet...(展开全部)

In Dark Matters Simone Browne locates the conditions of blackness as a key site through which surveillance is practiced, narrated, and resisted. She shows how contemporary surveillance technologies and practices are informed by the long history of racial formation and by the methods of policing black life under slavery, such as branding, runaway slave notices, and lantern laws....(展开全部)

In Dark Matters Simone Browne locates the conditions of blackness as a key site through which surveillance is practiced, narrated, and resisted. She shows how contemporary surveillance technologies and practices are informed by the long history of racial formation and by the methods of policing black life under slavery, such as branding, runaway slave notices, and lantern laws....(展开全部)

Being-in-the-World is a guide to one of the most influential philosophical works of this century: Division I of Part One of Being and Time, where Martin Heidegger works out an original and powerful account of being-in-the-world which he then uses to ground a profound critique of traditional ontology and epistemology. Hubert Dreyfus's commentary opens the way for a new appreciat...(展开全部)

Being-in-the-World is a guide to one of the most influential philosophical works of this century: Division I of Part One of Being and Time, where Martin Heidegger works out an original and powerful account of being-in-the-world which he then uses to ground a profound critique of traditional ontology and epistemology. Hubert Dreyfus's commentary opens the way for a new appreciat...(展开全部)

Have we become beauty-blind? For two decades or more in the humanities, various political arguments have been put forward against beauty: that it distracts us from more important issues; that it is the handmaiden of privilege; and that it masks political interests. In "On Beauty and Being Just", Elaine Scarry not only defends beauty from the political arguments against it but a...(展开全部)